We match you with Korea's best post-production teams — colorists, VFX houses, sound designers, and mastering facilities — handpicked for your project, timeline, and budget. The same talent behind Netflix originals and Korean cinema, without navigating the market yourself.
We handle the entire process — finding the right Korean team, managing communication, overseeing quality, and delivering to your exact specs. You just tell us what you need.
What are you making? What needs finishing? What's your timeline and budget range? Share as much or as little as you have — even a rough brief works. We'll ask the right questions to fill in the gaps.
Based on your project type, creative needs, and budget, we hand-pick the Korean post team that's the best fit. Need a colorist who's graded Netflix originals? A VFX house that specializes in cleanup? A Dolby Atmos mixing stage? We know who's best at what — and who has availability.
You're not dealing with a Korean facility directly. We handle all communication, file transfers, review sessions, and scheduling. Our bilingual producers translate your creative notes into precise direction. You give feedback in English on Frame.io — revisions come back overnight.
Final masters in whatever format you need — DCP, IMF, ProRes, streaming platform packages. We QC everything before it leaves Korea. Your project files are returned, archival backups are made, and you're done.
We've spent years building relationships across Korea's post-production market. We know which teams deliver, which ones don't, and exactly who to call for your specific project.
Korea's cost of living, studio overhead, and labor economics are fundamentally different from LA or New York. The talent is every bit as good — the math just works better here. We negotiate rates based on real relationships so you get honest pricing that fits your budget.
The 14-hour time difference is your secret weapon. Send notes at 6pm LA time. The Korean team works while you sleep. Revised deliverables in your inbox by 9am. Every single night.
Our bilingual producers don't just translate words — they translate creative intent. Your notes land exactly right, every time. You never have to wonder if something got lost.
Founded by a 22-year post veteran with credits on BTS, Netflix's Outlast, Apple TV+'s K-Pop Idols, and 50+ shows across major platforms. Our Korean partners include Jisoo Jung (sound and Foley, 120+ feature films, Pachinko S1 & S2 for Apple TV+, 2022 KOCCA Director's Award) and colorists with Netflix and Disney+ original credits. Former COO of a Seoul post studio. IATSE Local 700. We know Korean post because we've run Korean post.
We don't do everything in-house — we match you with the specific Korean specialists who are best at what you need.
We'll match you with DaVinci Resolve colorists who've graded Netflix originals and Korean theatrical features. Calibrated HDR/SDR suites, Dolby Vision, ACES workflows.
Korean VFX houses specializing in compositing, cleanup, roto, set extensions, beauty work, and CG integration. Nuke, Houdini, After Effects pipelines.
Foley artists, sound designers, and re-recording mixers on Dolby Atmos-certified stages. Korean Foley artists are genuinely some of the best in the world.
DCP, IMF, ProRes, streaming platform packages. We match you with facilities that deliver to Netflix, Disney+, Apple TV+, Amazon — no QC rejections.
Korean editors who specialize in the fast-cut, graphics-heavy variety style and the emotional pacing of K-drama storytelling. A specific skill set that's hard to find outside Korea.
Data management, transcoding, Frame.io dailies. We match you with teams who deliver processed dailies overnight — ready before your next shooting day.
The teams we work with have passed QC on every major streaming platform. Whatever your spec sheet says — they've delivered it before.
What are you working on? What needs finishing? What's your timeline? Tell us as much or as little as you have — we'll come back within 48 hours with the right team and an honest quote.
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