We match you with the right Korean post team for every discipline — from color and VFX to sound, scoring, mastering, and commercial post. One point of contact. Zero friction.
We match you with DaVinci Resolve colorists who've graded Netflix originals and Korean theatrical features. Calibrated HDR/SDR suites with reference-grade monitoring.
Dual HDR/SDR deliverables from a single session. Dolby Vision metadata. Film stock emulations (Kodak 5219, Fuji 3513), custom show LUTs, and full look development from pre-production through final grade.
Korean VFX houses specializing in compositing, cleanup, rotoscoping, set extensions, CG integration, and beauty work. From invisible VFX to hero shots — same pipelines behind Korean theatrical releases.
Particular strengths in compositing and cleanup — disciplines sharpened by the volume of K-drama and K-pop production.
Dialogue editing, Foley, sound design, ADR supervision, original scoring, music supervision, and final mix in Dolby Atmos, 7.1, or 5.1.
Korean Foley artists are exceptionally skilled — trained on K-drama schedules where Foley replaces production audio entirely. Our sound and Foley partner Jisoo Jung brings 18 years and 120+ feature film credits, including Pachinko S1 & S2 (Apple TV+) and The Villainess (Cannes Film Festival Selection). She is a 2022 KOCCA Director's Award recipient. Original composers available for orchestral, electronic, and hybrid scores.
DCP creation, IMF packaging, broadcast masters, streaming platform packages, ProRes, DNx, and archival outputs. We match you with facilities that deliver to every major platform's exact specs.
The end goal: your project is built for first-pass QC acceptance — properly formatted, spec-compliant, and verified before submission. See full platform specs →
Korean editors who specialize in the fast-cut, graphics-heavy variety show style and the emotional pacing of K-drama storytelling. A specific skill set that's hard to find outside Korea.
Data management, transcoding, and dailies delivery with Frame.io integration. We match you with teams who deliver processed dailies overnight — ready before your next shooting day.
Full post-production for commercials, digital ads, and branded content. We match ad agencies and production companies with Korean teams for color, VFX, sound, and multi-format delivery — TVC, social cuts, and platform-specific versioning at Korean rates.
Our assistant editors sync multicam shoots — from 2-camera interviews to 12+ camera live events and concerts. Audio sync, timecode sync, and manual sync when metadata is messy. Delivered as organized, synced sequences ready for editorial.
We prep media across every major NLE: Avid Media Composer, Premiere Pro, Final Cut Pro X, and DaVinci Resolve. Bin structures, string-outs, and selects reels built to your specs. Particularly strong with high-volume shoots where organization is the difference between a smooth edit and a nightmare.
Assembly cuts and rough cuts for reality shows, documentaries, and scripted film and television. Our editors build the first structural pass — pulling selects, building scenes, shaping the story arc — so your lead editor or showrunner can focus on the creative cut, not the heavy lifting.
Reality and unscripted: story producing support, act breaks, interview selects, B-roll integration, and graphics-ready timelines. Documentary: transcript-based editing, archival integration, and narrative structure. Scripted: assembly from dailies, scene construction, and editor prep.
Tell us about your project — format, timeline, what needs finishing — and we'll come back within 48 hours with the right team and an honest quote.
Get a QuoteSimple as working with a post house down the street — except revisions happen while you sleep.
Project details, timeline, deliverables. Scope and quote within 48 hours.
We hand-pick the Korean post team best suited to your project and budget.
Frame.io for review. Zoom for calls. Overnight turnarounds, every night.
DCP, IMF, ProRes, streaming packages. QC'd and ready to deliver.