Seoul Post Studio was founded by Peter Lee — a 22-year post-production veteran who's worked on both sides of the Pacific. From Hollywood editing bays to Korean post studios, Peter has spent his career at the intersection of US production standards and Korean post-production talent.
Producer / Post Supervisor — Los Angeles + Seoul
Formerly IATSE Local 700 — Motion Picture Editors Guild
Peter has been in post-production since 2004 — starting as an assistant editor on America's Next Top Model, working his way up through shows like Top Chef, Celebrity Rehab, and Naked and Afraid, and eventually producing content for BTS, Twice, and Jay Park across YouTube Originals, Weverse, and global streaming platforms.
Peter served as Chief Operations Officer at a post studio in Seoul, where he oversaw post-production for 20+ Korean feature films and K-drama series. He streamlined workflows with Baton QC and Transkoder, managed editorial, color grading, VFX, and sound mixing departments, and advised Korean production companies on aligning their content with global OTT delivery standards.
That experience — managing Korean post teams from the inside, while delivering to Netflix, Apple TV+, and YouTube Originals standards from the outside — is exactly what Seoul Post Studio is built on. Peter knows which Korean teams deliver, which facilities have the right equipment, and how to manage the workflow so nothing falls through the cracks.
A selection of projects Peter has produced, post-supervised, or edited across major US and Korean platforms.
Peter's hands-on experience across editorial, post supervision, and production means he understands the tools and workflows from the inside — not from a sales deck.
A lot of "matchmaking" services are run by people who've never sat in an editing bay, never managed a QC rejection at 2am, never had to figure out why a DCP won't ingest at a festival. Peter has done all of that — for 22 years, across 50+ shows, on both sides of the Pacific.
When Seoul Post Studio matches you with a Korean team, it's not an algorithm making the decision. It's someone who's been COO of a Korean post studio, produced BTS content for global release, and delivered masters to Netflix, Apple TV+, IMAX, TVING, JTBC, YouTube Originals, CBS, Bravo, Discovery, and more.
That experience means we know what questions to ask, what to look for in a facility, and how to catch problems before they become expensive. Your project gets the benefit of two decades of post-production pattern recognition.
Every guide, glossary entry, and blog post on SeoulPostStudio.com is written from first-hand operational experience — not aggregated from other websites or generated without expert review. Our editorial standards include:
Practitioner authorship. All content is written or reviewed by post-production professionals with direct experience managing finishing workflows in Korea. We don't publish on topics we haven't worked in.
Verified technical accuracy. Technical content (delivery specs, color science, software capabilities) is reviewed by practitioners in each discipline. Colorists review color content; sound professionals review audio content.
Transparent sourcing. We source from first-hand project experience, official platform documentation (Netflix Partner Help Center, Apple TV+ specs), and authoritative industry sources (KOFIC, SMPTE, Dolby). We don't aggregate from SEO content farms.
Regular updates. Post-production technology and platform requirements change. We review all content quarterly and update immediately when significant changes occur. Every page displays a review date.
Disclosure of interest. Seoul Post Studio is a post-production service provider. We have a commercial interest in presenting Korean post-production favorably — and we acknowledge this openly. We also have a reputational interest in being accurate: clients who rely on our content and find it misleading don't become repeat clients.
For our complete editorial standards, see our Editorial Policy.
Explore our comprehensive resource library — built from the same operational expertise that informs our client work:
Tell us what you're working on. Peter will personally review your brief and match you with the right Korean team.
Get a QuoteSound & Foley Partner · 18 Years · 120+ Feature Films
Creative editor and sound specialist with over 18 years in audio post-production. Key contributor to Pachinko Seasons 1 & 2 (Apple TV+) and The Villainess (Cannes Film Festival Selection). Recipient of the 2022 KOCCA Director's Award for contributions to Korean creative content. Trained at Vancouver Film School (Sound Design for Visual Media).
Credits include 120+ commercial feature films and global series · Expert in Apple TV+ and Netflix technical specifications · Hybrid Premiere Pro and Pro Tools workflow